Parallel perpendicular lines with the Canon TS-E 17mm Aside from the major learning curve in using a tilt-shift lens properly, it does produces some spectacular results. If you want to learn a little more about how tilt-shift lenses work, this link and this other link to learn about controlling the depth of field.
#LIGHTROOM TILT SHIFT FOCUS SOFTWARE#
I was curious for some time, just how much of a benefit using a tilt-shift over software solutions. To do this, you can either use a tilt-shift lens, or to use software solutions found in software like DxO Optics or Adobe Photoshop/Lightroom. One of the main things I shoot in photography is interiors, and many of my clients like to have perspective correction in their images. A popular website does a reasonably good job of simulating the effect at Also some of this can be done by software programs like Adobe Photoshop. Some of this can be created with a far more affordable Lensbaby, but the image quality is certainly no where near a proper tilt-sgift lens by any stretch of the imagination. The primary advantages are to correct for perspective distortion and to increase the depth of field although one of the more popular uses for Tilt-Shift lenses is to create selective depth of field which wedding photographers utilize in their tool kit of effects. The first question to address is what is a tilt-shift lens really good for? Essentially the key to a tilt-shift lens is to bring much of the advantages of a large format view camera to the compact 135 format SLR. In today's comparison I pit a Tilt-Shift Canon TS-E 17mm F4L lens against the Samyang 14mm F/2.8 prime with DxO Optics 6.5.4 geometry correction function in a quest to see just what advantages a $2500 lens has over a much simpler budget solution. In multiple directions, and orientations. Complex design allows for several configurations
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